In Nairobi, Kenya I worked with young photographers in the city’s Kibera slum, and started a photobook library for a weekly photography class.
In Takoma Park MD, I collaborated with Takoma Artery collective for a 'Climate Arts Cafe’ event.
I also hosted a music/visual arts series about harnessing the power of art in the climate crisis, against tyranny and war, and building community. We showcased and promoted the growth of a ‘future-arts’ movement and partnered with artists, groups, and organizations to find innovative ways to make a difference.
Viaduct Arts started as a house salon for local music and visual art with topical relevance, exploring topics like Mars, fracking, climate, social justice and others. When COVID shut that down, we moved to outdoor concerts in my driveway called Roadside Attractions, with socially-distanced audiences across the street. My driveway became a micro-local live music venue for the community. At the time, there was literally nowhere else to play in the DC area. We got city funding to pay honorariums to the otherwise out-of-work artists. RA had incredible sets by the likes of Yasmin Williams, who has since been featured in Rolling Stone and NY Times.
How can artists help in ways that are particular to art? Can art help shift the paradigm in ways that are needed? How can art/artists be leveraged for greatest impact?
Defying all musical labels, Argentine guitarist/composer Cristian Perez weaves together genres from throughout the world to reveal the universality of music. With a strong foundation in classical, jazz and South American music, he crafts a singular voice, rich in sensitivity and nuance, that freely explores the possibilities of music as an art form. His debut album “Anima Mundi” has received numerous reviews around the world and reached #13 in the CMJ World Music charts in the USA. Cristian has been featured in Vintage Guitar Magazine and is a former Artist-in-Residence at Strathmore Music Center.
